Techno music started in Detroit, and music creators such as Derrick May, Juan Atkins and Kevin Saunderson joined in. Also in the Hardware folder are presets including emulations of various Lexicon devices and the characterful Klark Teknik DN780, all worth trying. ... #60 of 236 The Best New York Rappers #33 of 104 The Best '80s Rappers. Now starting at 9PM eastern. But the Quad Compressor changed all that. 944. Engineers began to design recording rooms to be reflective and “bangy” for bigger sounding drums. Unless of course, you’re trying to emulate The Edge from U2, in which case you’ll probably want to set it up with the guitarist when recording. Yes’s “Owner Of A Lonely Heart” from 1983 still sounds great today. Want to get more tips straight to your inbox? One favorite trick was using two Lexicon PCM42 mono units and panning them hard left and right, then feeding some of the output of the first one to the second one and vice-versa to create a stereo ping-pong effect. You won’t need to do that with your DAW, but gating was frequently used to curtail decay on drum hits, so you can experiment with that. La Menteuse! David Bowie’s “Let’s Dance” incorporates many of the typical ‘80s sounds: gated reverb on the drums, some ping-pong snare delay near the end, all with a hint of tape saturation. Digital reverbs sounded denser and brighter, and could easily be edited for different effects. The Abbey Road TG Mastering Chain was still used through the 1980s, so it would fit to use this for some final shaping. Download and listen to new, exclusive, electronic dance music and house tracks. The 80s-90s Lost Classics Rate - #21 - More DJs! “I learned how to turn the channel and it was ‘80s music from then on. by the Beastie Boys.[2][3]. The comp brings together sought-after songs that have never been previously released outside of Japan. close micing and less reverberation. Earth, Wind & Fire – Let’s Groove. Acapella Town is the biggest place on the net for your Acapella Downloads! Stick with 15IPS to keep things relatively hi-fi. FLAC, Lossless and mp3. Many of these hosts are well-known DJs, talk show hosts and even celebrities who sometimes anchor special shows. It was so easy to lean across and enable the compressor, and the sound of compression was usually so much better than a dry signal, so this became a big part of the sound of ‘80s records. Bass drums often tended to be drier, so add a tiny amount of shorter gated reverb or use the 16 Room A2 setting in H-Reverb. To re-create this effect, insert Doubler on an aux and load Ross Hogarth’s Doubler 1 preset. Midi Files and More. Be sure to have the Analog button engaged. I present Hou! Dolby SR had all but eliminated tape hiss by the mid-80s, but not everyone liked using it, so a touch of noise might be appropriate. Solid State Logic 4000 Series consoles dominated, with their ability to recall mix setups, accurately synchronize fader and mute automation, and their famous bus compressor, all of which influenced the sound of records of the era. Get tips on making your mix sound more authentically 1970’s. No, sorry, Dorothee! 6pm (Friday): Shaun Tilley - 80s Heaven 8pm: Jukebox. Greenwood is known primarily for his song “God Bless the USA,” which was originally written in the ’80s but which received a major boost in popularity in the years after September 11th. Most notably, the SSL’s EQ section featured fully sweeping frequency controls and bandwidth knobs for more precisely honing in on sounds. For an 80s bass-drum sound, I would usually scoop out some low-mids with the blue band, often with the frequency knob fully counter-clockwise at 200Hz, then I would boost bass-end with the Bell curve selected, and perhaps move the High Pass Filter knob up to eliminate any unwanted rumbling. Another trick with the SSL was to use the mic input to deliberately distort signals for crazy telephone effects, ramping up the gain, then bringing the level back down with the fader. Listen to the UK's top radio stations for free at Planet Radio. Sat @ 9PM 3 hours of the 80s, extended and mixed. On 29 February 2016, the station switched to the newly launched Sound Digital multiplex (an "upgrade" to 80kbps in mono) although it continued to broadcast on Digital One until the end of April 2016.[4]. Want tips on producing ’70s sounds? Digital reverb could create similar sounds, and AMS’s RMX-16 Nonlin setting and Yamaha’s SPX90 soon replicated it. There are myriad choices in H-Reverb, and 224 CD Plate A in the Hardware folder is a typical ‘80s Lexicon setting. Claire Sturgess hosts a live 80s show every Friday on sister station Absolute Radio that is also simulcast live on Absolute 80s called Friday Night 80s. It was the most important club on Friday night in the late 80s all around. Choose the EMITAPE 815 setting for a more modern tape formulation. Together they become the sensation of the street crowds. Your favourite national and local stations in one place. For other sources, the fast attack setting combined with a fast release setting can usefully be quite brutal. For a punchy pop track, load the SSL G-Master Buss Compressor on the master bus and try a 4:1 ratio, a fairly fast attack setting of .3mS, a fast release of .1, and allow the gain-reduction meter to waggle down to about -4dB. Global dj's and the best mix of loud rock in the world! Famously, engineer/producer Hugh Padgham invented the now-classic gated reverb sound using the compressed talkback mic circuit on an SSL console, and noise gates to abruptly curtail the decay of room reverberation. 24/7. The 80s extended and remixed. You may find this content helpful: To be able to view it. 8. In IR-1 Convolution Reverb with the full preset library installed, near the bottom of the list is the Virtual Acoustics-Devices folder where there are some further Lexicon-inspired presets to explore. Until the SSL desk came along, you had to patch in outboard compressors if you wanted to process the entire mix. Sunday: 9am: Robbie Dominic 12pm: Justin Charles 3pm: Pat Sharp All The Hits 6pm: Jukebox 679. Here we’ll go through 8 tips for inspiring ‘80s sounds you can create in your mixes and productions. Even though digital formats were starting to creep in towards the end of the decade, most records were made entirely on analog tape. Send guitars and even bass guitar to this for a wonderful rich chorus effect, typical of records from the ‘80s by The Cure and Psychedelic Furs. There was a very particular trick, mainly used for vocals, with the new digital delays and harmonizers that had recently been installed in many studio racks. Planet wide hard rock and heavy metal radio! The 208 Top Twenty ran from Autumn 1948 until December 1992 on Radio Luxembourg. ... Teletubbies or Tweenies, though I’d happily go for 80s Fireman Sam or a good Barney song over this childish shite! Set the low-frequency knob to around 90Hz for a small boost, but more importantly, emphasize upper-mid “smack” with the green band, and add a 5kHz Bell boost with the red band. When it was launched with Teddy Johnson as the DJ in 1948, it was about a decade ahead of the BBC, who started Pick of The Pops in 1955, but which didn't begin an actual Top 20 until March, 1958 with David Jacobs. Draw inspiration from the era’s sounds for your mixes. Using tape for delay quickly went out of fashion when the convenience of digital delay units took over. You could also add some authentic vinyl warmth and grit with the Abbey Road Vinyl plugin. The compressor is also useful for adding punch to drums. Tears For Fears’ “Shout” popularized the huge exploding snare sound. Studio wizards like Trevor Horn became ever more ingenious, experimenting with outlandish techniques to push the boundaries for more dramatic sonic impact. The MK3 was intended to better meet the needs of DJs than the MK2. Its alternative “Bluey” compressor mode emulates the Urei 1176 compressor which was still very popular in the ‘80s for vocal compression. The aforementioned AMS sounded more ‘hi-fi’ compared to tape. The last top 10 billboard hit for the band ever, this was an explosive end to the ‘classic era’ of Earth, Wind & Fire before they went on an eight year hiatus. [1], The marketing plan for Absolute 80s started with targeted sampling at 80s events such as Madness, Pet Shop Boys and Depeche Mode at the O2 Arena, Erasure at the NEC Birmingham and Simple Minds at the Wembley Arena. Supported by Superstar Djs, Producers & Mash-up Artists Worldwide. Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}51°30′44″N 0°08′13″W / 51.512248°N 0.136937°W / 51.512248; -0.136937. Try the SSL G-Equalizer or the H-EQ Hybrid Equalizer which has curves emulating various consoles, and add some 8-9kHz for some of that shiny ‘80s tone. The Dave Berry Breakfast Show is also simulcast live on Absolute 80s. This is often effective just for special moments rather than throughout a track, perhaps for a breakdown section, so you might want to automate the send. You can help Wikipedia by expanding it. This article about a radio station in the United Kingdom is a stub. To vary the subtlety of the harmonizer settings, change the Detune values which are set at +6 and -6. Sirius Satellite Radio offers an ever-growing list of hosts across its various channels, especially since its 2008 merger with XM. Popular brands included Lexicon, AMS, Klark Teknik, Quantec and Yamaha. Directed by Joel Silberg. Jennifer Rush’s “The Power Of Love” has the clicky bass drum, various reverbs and delays, and that huge snare sound. This content is not available in your country. For a more invisible character, slow the attack to 3mS and try the auto release setting. Technology in the 1980s changed the game for record making, as synthesizers, drum machines, automation, sampling and other studio trickery entered the market. In the ‘80s, I routinely used the expander on all channels for basic noise reduction when working with tape to reduce hiss. This can be achieved authentically using CLA MixHub, turning up the red mic gain knob while pulling down the fader. If you’ve ever visited Kansas City, you know that every season is magical. The later era “Black Knob” EQ modeled here was even more precise than the earlier Brown Knob version and with tighter curves. During the 1980s, studios started acquiring digital reverb units for their racks to supplement the enormous EMT plate reverbs hiding in the attic. Vocals often had a heap of delay added, as well as a big reverb. While Earth Wind & Fire were undoubtedly pumping out the hits in the ’70s, Let’s Groove certainly holds its own against Serpentine Fire. Check it out, we moved to a new time slot. I used the first-ever example of a Black Knob desk to engineer some of the hits I had in the late 80s and early 90s. As explained in the liner notes for the Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980-1988 compilation, out on the Seattle-based Light In The Attic label, these 14 tracks, including “Days-Man,” highlight deconstructed ideas. Still playing our mix of extended play mixes of songs from the 80s. Weekends: Saturday 9am: Robbie Dominic 12pm: Justin Charles 3pm: Hed Kandi with Mark Doyle 6pm: Jukebox. The music is played through a sound reinforcement system. WZOZ 103.1 Radio, a Townsquare Media station, plays the best classic hits music in Oneonta, New York. UK national newspapers, magazines, and other periodicals, (You Gotta) Fight for Your Right (To Party! Its former name was "San Francisco". Matthew Rudd hosts a Sunday night show, Forgotten 80s, featuring lesser-played hits of the decade from 9pm. ), "Absolute 80s, Planet Rock, Heat and Kisstory to end dual DAB transmission", List of semi-national / regional analogue and digital radio stations, Edinburgh International Television Festival, Culture, Media, and Sport Select Committee, Department for Digital, Culture, Media and Sport, British Academy of Film and Television Arts, Broadcasting, Entertainment, Cinematograph and Theatre Union, https://en.wikipedia.org/w/index.php?title=Absolute_Radio_80s&oldid=998290208, 2009 establishments in the United Kingdom, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 January 2021, at 18:16. But as the 1980s unfolded and digital delay and reverb units started appearing in studios, this all changed. Reliant on early digital converter technology, they sounded brash and grainy. Vocals were often treated with longer digital reverbs and digital delay.